Post-production you can put your name on.

Mixing, mastering and release-ready post-production for studios, labels and music companies. We're the engineering team behind the work, to a standard you can deliver under your own name.

Hear the work Send one record

You have a record to get right.

A clear vocal and a loud master are the easy part.

A record that still feels like itself when it comes back to you.

Music is subjective. What sounds right to me might not sound right to you.

I can tell you when a mix is balanced. When the dynamics are working. When the vocal is sitting where it should. Those things matter, and we get them right on every record.

But a technically correct mix can still be wrong for the song.

So we don't guess. We start with what the record should feel like, and we keep working until it does.

That's the standard I built MeYou&Music on. Not one sound for every record. One standard of care for all of them.

Michael, founder of MeYou&Music

— Michael, Founder

Listen to what I mean.

Selected work. Press play, and listen where we point you.

01

Record 01

Afrobeats · Dense arrangement Mix & Master

Audio coming soon

Listen at 0:42. The hook should feel like the room just got bigger, without her getting any further away.

02

Record 02

R&B · Stacked lead vocal Mix & Master

Audio coming soon

The drums aren't louder in the chorus. You'll still feel them push.

03

Record 03

Hip-hop Mix & Master

Audio coming soon

Nothing here is trying to impress you. It's trying to stay out of the singer's way.

Every record above started with the same questions.

  • Why is the vocal here?
  • Why does this instrument need to feel closer?
  • Why does this section need more space?
  • Why should this part disappear for a moment so something else can matter?

The tools matter. The decisions matter more.

Your name stays on the record.

You already have the artists, the records and your way of working. Maybe your own engineers. A room you trust. A team you rely on.

We don't replace any of it.

We're extra engineering capacity you bring in when the record calls for it.

You keep the client relationship, the creative decisions and the credit. Deliver our work under your name, or credit us. Your call.

Your artist or client should hear the result. Not the fact that another company worked on it.

No hiring. No training. No managing another team.

The standard doesn't drop when the record leaves your building.

Handing a record to someone outside shouldn't lower the bar. Every project goes through the same process, so you never wonder who touched it or how carefully.

One accountable engineer.

One engineer owns your record from first pass to final file. You always know who is responsible for the work.

One point of contact.

You deal with me, Michael, from the first message to the final file. Not a ticket queue.

Reviewed before you hear it.

A second engineer checks every mix before it reaches you.

The same standard, whoever mixes it.

Every engineer works to one shared house method, so the quality doesn't change with who mixed it. The sound changes with the record, as it should.

You know when it's coming back.

Every project gets a delivery date before work starts, and we hold to it.

Revisions that go somewhere.

You tell us what needs to change. We change it, and tell you what we did.

Built around the record.

Mixing is the center of what we do. But a finished record usually needs more than a stereo mix.

Mixing.

A release-ready mix built around what the record is meant to feel like.

Mastering.

Translation, dynamics and loudness for wherever the record is going.

Vocal editing & tuning.

Clean, intentional editing that keeps the character of the performance.

Alternate versions.

Instrumentals, acapellas, clean versions, stems. Whatever the release needs.

Delivery.

Files at the spec your distributor or label requires, named and organized so your team doesn't have to fix anything.

Nothing here exists to make the list longer. These are the things that belong around the work.

How it works.

Simple for you. Not simplistic for us.

  1. 01

    Send the record.

    Session or stems, references, and anything that shows where the record is going. Use whatever you already use: Dropbox, Drive, WeTransfer.

  2. 02

    Tell us what it should feel like.

    Three questions. What should the listener feel in the first ten seconds? At the hook? At the end? That brief guides every decision your engineer makes.

  3. 03

    Engineering.

    Your engineer works through the record with the brief and references in hand.

  4. 04

    Internal review.

    A second engineer checks the mix before it reaches you.

  5. 05

    Your feedback.

    You listen and tell us what needs to change.

  6. 06

    Final delivery.

    Final files and every alternate version the release needs.

You don't need to manage the engineering. You just need to know what you want the record to become.

More capacity. Without another hire.

Production schedules don't arrive one project at a time. When several releases land at once, you shouldn't have to choose between turning work away, overloading your engineers or hiring another full-time employee.

I built MeYou&Music lean on purpose. That's how we deliver this level of work without the cost of another full-time team in your building.

You don't pay salaries through quiet weeks. You don't hire, train or replace anyone. Capacity moves with your release schedule, not your headcount.

Not a cheaper version of the work. A different model for getting it.

Your team
MeYou&Music
More releases out

Ongoing production.

For studios, labels and music companies with records moving every month, we work as an ongoing relationship, not a one-off job.

See how working with us works

Your unreleased music stays unreleased.

The files aren't just files. They're records that haven't come out yet, with artists, producers, writers and labels whose trust is attached to them.

So here's how we handle them:

  • NDA on request, signed before you send anything.
  • Access limited to your assigned engineer and the engineer who reviews the mix.
  • Mixes sent for your review are shared through private links only, never public uploads.
  • Sessions kept while you work with us, so recalls and alternate versions are one email away. Deleted 90 days after your last delivery, or sooner if you ask.

Send one record. Judge us on that.

Tell me what you're working on. Send the record and the direction, and I'll tell you honestly where MeYou&Music fits. If it doesn't, I'll tell you that too.

Start with a paid pilot: up to three records, the full process, no ongoing commitment. One record shows we can mix. Three show we can do it every time. If you start a plan within 30 days, the pilot comes off your first invoice.

Work with us